Considering a photo as a "correspondence" between the "world" and the "individual".
Attempting to arrange its blueprint = artwork, following the "promise",
"agreement", or "rule" exchanged within. And, in a manifestation of these various "promises",
the artwork is filled to complete "subjectivity",
and shut tight, as a labeled jar.
And in this way the artwork begins / is cancelled (crossed out)
Turn to a past not experienced.
Or, perhaps, take the possibility of this having been part of one's self.
Entrust in a photograph the "if", which may actually have been.
Treating equally the parts and the whole.
Stretching out a hand to capture that which cannot be caught,
a gesture grasping at the air.
Perhaps, this work won't even start.
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Artist Profile
Yosuke Takeda
1982 Born in Aichi prefecture
2005. Graduated Doshisya University, Faculty of Letters, Department of Philosophy
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Exhibition Composition
Minoru Shimizu b.1963, Photography Critic
Daisuke Miyatsu b.1963, Art Collector
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